"When you were a boy you used to ask my about my work, the painting.
"Why are they always the same, Dad?"
"Why don't you do something different?"
I could never explain.
You see, each morning, when I start, I think I'll do something else. This morning I'll paint a seascape. This morning I'll do a still life, maybe an abstract, just splash the paint, see where it takes me. And then I start, and every time, I paint the same thing. The Landscape. Whatever I do, this is what comes out.
What you've got is your painting. I may not like it, you may not like it, but it's yours.
—BBC, Wallander
The Landscape: A cry for help in 45|47 cantos.
Due sometime after the end of the f*cking world.
The Landscape | III. It Is Not
“…because then you would know
what even he doesn’t want to know.”
—Gene Brewer, K-PAX
it is not
a barren
blasted rock
cratered by
manmade cataclysm
a cavalcade
a cascade
a thermonuclear
cannonade
a barricade
battered to ashes
a billion broken swords
Odin’s eye gouged by Grammr
a hundred thousand
thunderstruck thorium
landmines laughing
at landsknechts
littering rivers riven to slivers
to bless our silver altars running over
with guts and glory
it is not
a pillar of homegrown
long bones sown
with rage gone viral
a lone lobo groaning
on a fire biting blight
bright in the eyesore
downtown of demon cores
a cherenkov topoff
a toff party runoff
a top boy boiling
a blocked off
gunmetal off-ramp cramped with traffic
anger clamped to the thumbscrew
ruthless gulag work crew crusade
of gruel cruelty renewal—huel and soylent
and soyboy alpha-decay day traders
raking fat stacks from ass-cracks
and discord served coursework sanctimony
sold off for top dollar to fudcucks
and chucklefucks
it is not
a lairds scam spam grease
creature feature creeplord horde
a mandate date night
sexpest patriarch praising
paradox tautologies of
monotone autonomy
a lamb BAYC deepfake
a jailbait grape of apathy
a gangbang grey bar anal rape
of half-remembered
hambone gyve revivals
of liars crying on high
televised financial advice
of ideal slave drivers
the perfect device
of lice, fleas, gangrene, and disease
God blessed Dutch motherfuckers
the husk of humanity on a prayer to Anansi
answered in anger, the right idea
in the wrong century four deep
in eternity reaping black sheep
fleeced, flayed, and displayed
in daylit hate ordained by the state
it is not
an easy pleasey answer
in three trees with a ladder
three tiers of inequality
a mercy for clergy
and the kingpins of the economy
three cheers for iniquity
a thieves cant cancer
a ratfaced chancer
a blind concubine
a blackfaced ramrod
of god’s wine denying
the mainlines lying in lace
graced and gathered
and penetrated interpretations
of illegitimate rape rail
on high methhead hypocrisy
that is isn’t what it is
in alternative versions
inverting the world in Orwell’s
hoarse warning to authoritarians
retorting to the contorted calculus
of lesser evils, those known entities
marshalling the interdependent expense
of wise men’s fears bearing
their bitter fruit decades hence
in pence and pens of men penitent
for their patience and pensions spent
in inventions the consensus of qualifications
contended would end in resentment
of the rising tide drowning
twenty-first century serfs
in history’s recursion with an encore
of Gojira at the mea culpa conciergerie
ah! ça ira! off with their heads
Antoinette and the prized bourgeois swine
overripe for the rhyme of guillotines
in the autumn of hegemons impaled
on the thornbushes
of parasitic amalgamations
of belittled personhood
The Landscape, it is not this
but the thesis of a cynic
a simmering dispensation
of beef frank, pump-action
dissatisfaction distilled
in animus and antipathy
anathema the theme song
of modern society is all i can hear
ringing in my ears—a tinnitis of
not if i fuck you first
in geoducks and oysters
a grab bag cracked for fistfuls of pearls
hurling sticks and bricks at every
ghost of Christmas whispering words
of wisdom asleep beneath the stump
of the giving tree cursed for its infertility
this ambiguous allegory lost on K and Tyrell
and the tyrant’s blade run through blind ambition
denuded on the cutting floors
of our modern gods of the boardroom
a statement to the status quo no quid pro
only quotas, the quondum quiddity
of a quorum quotient composed foremost
of quotidien quidnuncs, quisquilian quislings,
and quab queans compelled to conquer
a quaintrelle’s querencia by Q-drop conspiracies
offered not the first question
it is the answer demanded of me
in the trial of long knives
smiling delighted in firelight
and benighted backsliding
when crystal shines bright
broken down by brown stains
mixing blood and shit in the gutter
buttering up to the ghosts
of Goebbels and Laventiy
and the steeples of appeasement
which lead lambs screaming
into the silence of Czernobog’s
dispassionate hammers
dispatching les miserables
with the banal office talk
of indignity’s final forms
filed in the boring words
of bureaucratic design documents
detailing medical neglect
and death chambers
and incinerators
blazing again in the when
never again was meant to mention
in detention centres referencing
the backbeat rhythm of barbed wire
and barracks and warehouses
and the sharting monarch
smiling wide the knives
that slice the throats of those
for whom he holds only
the cold contempt
of supremacy and ethnocentrism
it is my mocking scoff
to a wall of talk void of walk
the price of freedom
we are not willing to pay
pitted against
the happy sacrifice
of our neighbours misguided
in Cathedrals devoted
to Two-Minutes of goats
divided from sheep
all too willing to cut
their own homeboys down
to bleed themselves dry
for the shadow price of spite
and violence projected
in their phantasms fossilising
into facts impervious to attack
this is The Landscape
a bleak sea of screams
roiling in my head
and i pen my confessions
in dead weight tonnage
the gross metric of guilt
that binds and bloodies us all
this is The Landscape
a wall of shame
a footlocker of disdain
an inselberg of enmity
this is The Landscape
this is my painting
this is what i see
what i don’t want to